(1993) Alice in Wonderland / Through the Looking Glass (A Watermill Classic), By Lewis Carroll. (ISBN: 0816728747 / 0-8167-2874-7)

Book Description: Watermill Press, U.S.A., 1993. First Edition Thus. This special and unabridged Watermill Classic edition has been completely reset in a size and style for easy reading. Number line on copyright page reads: (10 9 8 7 6 5 4 3 2 1). Illustrated Glossy Cloth White Hard Cover Boards. 264 pages, 5.5" x 7.875" tall, .75" thick. No underlining, No highlighting, Previous owners name on inside cover, No remainder marks, this is a As New book. As New copy - Looks Never read. Beautiful gift quality copy of a book. (Complete and Unabridged)(Grades 3-6)(Illustrated)

Book Condition: As New.

Dust Jacket Condition: None as issued.

Synopsis: On a boring summer afternoon, the bright and inquisitive Alice follows a white rabbit down a rabbit-hole. At the bottom, she finds herself immersed in a bizarre world full of strange creatures and bizarre goings-on. She tries pills and potions, and attends a very strange tea party and croquet match. An immensely witty mix of satire, puzzles, and drama, this is one of literature’s most astute depictions of the experience of childhood.

Review: And what is the use of a book, thought Alice, without pictures or conversations?

Taking to heart his charming, insatiably curious heroine's words, Lewis Carroll worked many long hours (days, months...) with illustrator Sir John Tenniel to create the most perfect pictures imaginable for what were to become instant classics: Alice's Adventures in Wonderland and Through the Looking-Glass. When thinking about Alice and her dreamy surrealistic adventures down the rabbit hole and behind the looking-glass, who can help picturing the golden-haired girl in her lilac dress and striped stockings, gazing up at the Cheshire Cat or arguing with Tweedledum and Tweedledee? Tenniel's drawings remained black and white for over 40 years until 1911, when eight prints in each book were hand colored. Now, for the first time, every remaining illustration has been colored, making these the first editions to feature all of the original art in full color. Traditionalists need not worry: colorist Diz Wallis colored proofs taken from Tenniel's carefully preserved woodblocks, remaining faithful to his original drawings. The beautiful tones of these new hardcover editions look as natural as can be; they could just as easily be from the 19th century. (Ages 9 and older) --Emilie Coulter

About The Author: Charles Lutwidge Dodgson ( /ˈtʃɑrlz ˈlʌtwɪdʒ ˈdɒdʒsən/ charlz lut-wij doj-sən; 27 January 1832 – 14 January 1898), better known by the pseudonym Lewis Carroll (/ˈkærəl/ karr-əl), was an English author, mathematician, logician, Anglican deacon and photographer. His most famous writings are Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, as well as the poems "The Hunting of the Snark" and "Jabberwocky", all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy, and there are societies dedicated to the enjoyment and promotion of his works and the investigation of his life in many parts of the world, including the United Kingdom, Japan, the United States, and New Zealand.

Antecedents: Dodgson's family was predominantly northern English, with Irish connections. Conservative and High Church Anglican, most of Dodgson's ancestors were army officers or Church of England clergymen. His great-grandfather, also Charles Dodgson, had risen through the ranks of the church to become a bishop. His grandfather, another Charles, had been an army captain, killed in action in Ireland in 1803, when his two sons were hardly more than babies. His mother's name was Frances Jane Lutwidge.

The elder of these sons – yet another Charles – was Carroll's father. He reverted to the other family business and took holy orders. He went to Rugby School, and thence to Christ Church, Oxford. He was mathematically gifted and won a double first degree, which could have been the prelude to a brilliant academic career. Instead he married his first cousin in 1827 and became a country parson.

Young Charles' father was an active and highly conservative clergyman of the Anglican church who later became Archdeacon of Richmond^[6] and involved himself, sometimes influentially, in the intense religious disputes that were dividing the Anglican church. He was High Church, inclining to Anglo-Catholicism, an admirer of Newman and the Tractarian movement, and did his best to instill such views in his children. Young Charles was to develop an ambiguous relationship with his father's values and with the Anglican church as a whole.

Dodgson was born in the little parsonage of Daresbury near Warrington, Cheshire, the eldest boy but already the third child of the four-and-a-half-year-old marriage. Eight more children were to follow. When Charles was 11, his father was given the living of Croft-on-Tees in North Yorkshire, and the whole family moved to the spacious Rectory. This remained their home for the next twenty-five years.

Literature: From a young age, Dodgson wrote poetry and short stories, both contributing heavily to the family magazine Mischmasch and later sending them to various magazines, enjoying moderate success. Between 1854 and 1856, his work appeared in the national publications, The Comic Times and The Train, as well as smaller magazines like the Whitby Gazette and the Oxford Critic. Most of this output was humorous, sometimes satirical, but his standards and ambitions were exacting. "I do not think I have yet written anything worthy of real publication (in which I do not include the Whitby Gazette or the Oxonian Advertiser), but I do not despair of doing so some day," he wrote in July 1855. Sometime after 1850, he did write puppet plays for his siblings' entertainment, of which one has survived, La Guida di Bragia.

In 1856 he published his first piece of work under the name that would make him famous. A romantic poem called "Solitude" appeared in The Train under the authorship of "Lewis Carroll." This pseudonym was a play on his real name; Lewis was the anglicised form of Ludovicus, which was the Latin for Lutwidge, and Carroll an Irish surname similar to the Latin name Carolus, from which the name Charles comes.

Alice: In the same year, 1856, a new Dean, Henry Liddell, arrived at Christ Church, bringing with him his young family, all of whom would figure largely in Dodgson's life and, over the following years, greatly influence his writing career. Dodgson became close friends with Liddell's wife, Lorina, and their children, particularly the three sisters: Lorina, Edith and Alice Liddell. He was for many years widely assumed to have derived his own "Alice" from Alice Liddell. This was given some apparent substance by the fact the acrostic poem at the end of Through the Looking Glass spells out her name, and that there are many superficial references to her hidden in the text of both books. It has been pointed out that Dodgson himself repeatedly denied in later life that his "little heroine" was based on any real child, and frequently dedicated his works to girls of his acquaintance, adding their names in acrostic poems at the beginning of the text. Gertrude Chataway's name appears in this form at the beginning of The Hunting of the Snark, and no one has ever suggested this means any of the characters in the narrative are based on her.

Though information is scarce (Dodgson's diaries for the years 1858–1862 are missing), it does seem clear that his friendship with the Liddell family was an important part of his life in the late 1850s, and he grew into the habit of taking the children (first the boy, Harry, and later the three girls) on rowing trips accompanied by an adult friend to nearby Nuneham Courtenay or Godstow.

It was on one such expedition, on 4 July 1862, that Dodgson invented the outline of the story that eventually became his first and largest commercial success. Having told the story and been begged by Alice Liddell to write it down, Dodgson eventually (after much delay) presented her with a handwritten, illustrated manuscript entitled Alice's Adventures Under Ground in November 1864.

Before this, the family of friend and mentor George MacDonald read Dodgson's incomplete manuscript, and the enthusiasm of the MacDonald children encouraged Dodgson to seek publication. In 1863, he had taken the unfinished manuscript to Macmillan the publisher, who liked it immediately. After the possible alternative titles Alice Among the Fairies and Alice's Golden Hour were rejected, the work was finally published as Alice's Adventures in Wonderland in 1865 under the Lewis Carroll pen-name, which Dodgson had first used some nine years earlier. The illustrations this time were by Sir John Tenniel; Dodgson evidently thought that a published book would need the skills of a professional artist.

The overwhelming commercial success of the first Alice book changed Dodgson's life in many ways. The fame of his alter ego "Lewis Carroll" soon spread around the world. He was inundated with fan mail and with sometimes unwanted attention. Indeed, according to one popular story, Queen Victoria herself enjoyed Alice In Wonderland so much that she suggested he dedicate his next book to her, and was accordingly presented with his next work, a scholarly mathematical volume entitled An Elementary Treatise on Determinants. Dodgson vehemently denies this story, commenting "...It is utterly false in every particular: nothing even resembling it has occurred"; and it is unlikely for other reasons: as T.B. Strong comments in a Times article, "It would have been clean contrary to all his practice to identify [the] author of Alice with the author of his mathematical works". He also began earning quite substantial sums of money but continued with his seemingly disliked post at Christ Church.

Late in 1871, a sequel – Through the Looking-Glass and What Alice Found There – was published. (The title page of the first edition erroneously gives "1872" as the date of publication.) Its somewhat darker mood possibly reflects the changes in Dodgson's life. His father had recently died (1868), plunging him into a depression that lasted some years.

Source: Read more at Wikipedia.